
RESEARCH LAB
My choreographic research labs revolving around ideas and concepts concerning the body, architecture, objects, and space. The use of principles of the spatio-temporal practice aims at altering the space with those objects, and the physical body. The following questions are asked, for the practical, physical, and experimental research work: Do objects have the capacity to move human bodies, aren’t they becoming agents as well? I want to juxtapose, oppose, and interconnect the real bodies with these artificial ones, creating hybrid landscapes in which materiality and corporeality can be challenged and questioned.
How does the body interact with space, sound and object, each facing it as a boundary, barrier or field? How can we use somatic practices as potential creative tools to generate improvisational methods, to structure composition, choreography and the body in space?



Somatic Sound - New Spaces for new Sound
A phenomenology of somatic sound makes it possible to understand the interplay between subjective, felt embodiment and the design of the experimental sound design. Listening to and sensing sound allows space for somatic perception.
How do we sense sound in space, sound as space as well as sound as somatic physicality?
Audio Excerpt_Atmospheric I